4/5/2023 0 Comments Two worlds ii not openingh![]() ![]() "Participation by more artists of color in the process of creating the stories, not just making them, but the writing of them, is essential, because it it broadens the canvas," Epps said. DuVernay's series "Queen Sugar" had a policy that only female directors would be hired to work on the show. ![]() He also pointed to Black auteurs such as Ava DuVernay as people who have risen to positions of power and used that position to uplift others. "In certain years, the only one on some of the television shows that I've done, like 'Friends' and 'Frasier.' And that was sadly true for many, many years."Įpps said that slowly changed as more Black directors were hired to helm hourlong dramatic television shows, including Paris Barclay ("Cold Case," "The West Wing") and Eric Laneuville ("Lost"). "I've been around long enough that in certain situations, I've been one of the few, or one of the only, Black directors or Black leaders of an arts institution," he said. Sheldon Epps, one of the preeminent Black directors across television and theater, said it is only in the last decade or so that he saw a change in the diversity of Hollywood. That kind of story can only be told when Black artists are part of the production process and possess leadership roles within studios, industry insiders and experts say. The focus of the story is this everyman who winds up going through a struggle and triumph." but at the same time, it's not the centerpiece of the story. "I think they're embedded in the way in which move about the world. "It's refreshing to see this focus, not on our traditional ways of thinking about Black representation in terms of the past and historical struggles against discrimination and oppression," said Brandy Monk-Payton, a professor at Fordham University who specializes in Black media representation. "Creed" echoed much of the narrative cues of the original Rocky movies, which focused on a so-called "ham-and-egger" from Philly's white working-class mean streets who becomes a heavyweight contender and, eventually, world champion.īut the new franchise also addressed issues regarding the Black experience and Black masculinity. The story examined the life of an orphaned boy living in the shadow of a boxing legend and dealing with his own underdog story as he sought to follow in his father's footsteps and enter the ring. ![]() The first film, 2015's "Creed," followed Adonis, the son of Rocky's longtime rival and later friend, Apollo Creed. Stallone was not involved with the third Creed film and declined CNBC's request for comment. Stallone co-starred in the first two movies and co-wrote the "Creed II" screenplay. Several years later, he finally won him over. Coogler, who hadn't yet released his debut film "Fruitvale Station," which also starred Jordan, approached Stallone about a Creed spinoff. Jordan's road to the director's chair was paved by Ryan Coogler, who wrote and directed the first Creed film, as well as Steven Caple Jr., who directed the second. "I think it was only a matter of time before jumped behind the camera." Jordan has worked on some amazing television series and films and I've always said that the best film school is being on set," said Shawn Edwards, a film critic who sits on the board of the Critics Choice Association and co-founded the African American Film Critics Association. Warner Bros.' upcoming "Creed III," due in theaters March 3, also sees its lead actor take the helm as director, a move also made by Sylvester Stallone in 1979 with the release of "Rocky II." The film will be Michael B. And, while paying homage to the star and the stories that gave it a foundation, it has flipped the script on an enduring white working-class mythos by highlighting Black talent on both sides of the camera. ![]()
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